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Second Day in Memory in Tepoztlan

2nd. FESTIVAL OF MEMORY: Latin American Documentary Film
in Tepoztlan, Morelos, Mexico
11 to May 18, 2008

BULLETIN May 12, 2008 Second day


Memory
Ilhuicalli Tepoztlan Auditorium

At 15 : 30 hours Tepoztlan Ilhuicalli Auditorium, in the category Identities of the Official, screened some sadness, Alexandro Ramirez. 41minutos Peruvian documentary, produced in 2006.

at 16:15 pm in the Auditorium Ilhuicalli of Tepoztlan in the Identity category of Section Officer, projected Death has no friend, Ayoze O 'Shanahan. Hispano-Cuban production of 39 minutes, produced in 2006.

At 17:00 pm in the Auditorium Ilhuicalli of Tepoztlan in the category Science and Ecology of the Official Selection, screened 13 villages in defense of land, water and air, Francesco Taboada. Mexican Production 60 minutes, produced in 2007. It was attended by the director, the photographer and producer Robinson Fernanda Atahualpa Caldera, who at the end of the projection responded to public concerns.

At 19:00 pm in the Auditorium Ilhuicalli of Tepoztlan, as part of the sample Mirador Mexico, live projects took them alive we want, Cecilia Serna. Mexican production of 120 minutes, produced in 2007. It was attended by the director, co-director Carlos Carranco and Rosario Ibarra de Piedra, founder of Eureka Committee.

Tepoztlán Public Library Mr. Aniceto Villamar

At 14:30 pm in the Library Public Mr. Aniceto Villamar Tepoztlan, as the sample size Made in Morelos, projected Guardians of time, Ricardo del Conde de la Cerda. Mexican production in 2008. It was attended by the filmmaker and Dona Jobito, the main character in this production.

At 16:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, Category Science and Ecology of the Official Selection, screened Tambogrande: Mangos, Murder, Mining, Ernesto hair. Peruvian production of 84 minutes, produced in 2007.

At 18:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, more memory and Default of the Official Selection, screened Mr. Chairman, and Eugenia Arraya Liliana Monti. Argentina 55-minute film, produced in 2006.

At 19:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, more memory and Rebellion in the Official Selection, screened My Life Inside, Lucia Gaja. Mexican movie of 122 minutes, produced in 2007. It was attended by producer Rodrigo Herranz Fanjul. Socket
Tepoztlán


At 21:00 hours at the base of Tepoztlan as part of the sample made in Morelos, projected ring of flowers in Yaasib Colmenares. Mexican documentary 15 minutes, produced in 2007. The director was present at the screening.

At 21:30 pm in the Zocalo of Tepoztlan, as Special Presentation, projected the infinite frontier of Juan Manuel Sepúlveda. Mexican 90-minute documentary, produced in 2007.

University Cultural Center in Cuernavaca, Morelos

At 16:30 pm in the University Cultural Center of Cuernavaca, Morelos, as part of the 50 th Anniversary of the New Wave of French cinema, New Wave was designed by themselves Valery and Andre Robert S. Labarthe. 52-minute French documentary, made between 1964 and 1995.

At 17:30 pm in the Cultural Center University of Cuernavaca, Morelos, as part of the 50 th Anniversary of the New Wave of French cinema, Claude Chabrol was projected, the Entomologist, Andre Labarthe. 52-minute French documentary produced in 1991. Film

Morelos in Cuernavaca, Morelos Morelos Room



At 16:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest DOCSDF, Crossing Arizona was designed by Joseph Mathew and Dan Devine. U.S. 95-minute documentary, produced in 2006.

At 18:00 pm in Conference Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest DOCUSUR, projected the city's photographers de Sebastián Moreno. Documental chileno de 80 minutos, producido en 2006.

A las 19:30 horas en la Sala Morelos del Cine Morelos de Cuernavaca, como parte del Festival Invitado Lussas, se proyectó La vida es inmensa y llena de peligros de Denis Gheerbrant.

Documental francés de 80 minutos, producido en 1994. Chantal Steinberg, coordinadora del Festival de Lussas, Francia, presentó la muestra de ese festival.

Sala Miguel Zacarías
A las 16:30 horas en la sala Miguel Zacarías del Cine Morelos de Cuernavaca, como parte del Festival Invitado Lussas, se proyectó Retratos de Alain Cavalier. Documental francés compuesto por cuatro episodios de 13 minutos cada uno, producido entre 1986 and 1988.

At 18:45 in Room Film Miguel Zacarias Cuernavaca Morelos, as part of Guest Lussas Festival, was screened wrapping paper can not be grilled by Rithy Panh, 90-minute French documentary produced in 2006.

Letters To The Judge Regarding Community Service

2nd. FESTIVAL OF MEMORY: Latin American Documentary Film
in Tepoztlan, Morelos, Mexico
11 to May 18, 2008

BULLETIN May 11, 2008

Festival begins in Tepoztlan: The battle against forgetfulness

It celebrated the opening of the 2nd Festival of Memory: Latin American documentary film in the Auditorium Ilhuicalli Tepoztlan, projected Que Viva Mexico! Sergei Eisenstein, Grigori Alexandrov mounted, co United States and Mexico in 1932, into music live on Banda Tlayacapan, Brigido Santamaria. Municipal President Prof. Ephrem Villamil said the Festival officially opened in about 12:40.

At 15:30 pm in the Auditorium Ilhuicalli of Tepoztlan in the Memory category and Rebellion in the Official Section is projected Wayronco Tears, George Meyer, produced in Spain in 2007.

At 17:30 pm in the Auditorium Ilhuicalli of Tepoztlan, in the category Art Official Section, was presented A portrait of Diego, Diego Lopez and Gabriel Figueroa, produced in Mexico in 2007. It was attended by the director Gabriel Figueroa and Margarita Mansilla writer who responded to various concerns of the public.

At 19:30 pm in the Auditorium Ilhuicalli of Tepoztlan in the Identity category of Section Officer, presented Reinalda del Carmen, my mom and I, Lorena Giachino, produced in Chile in 2006.

Tepoztlan in the Zocalo at 20:30 hours as part of the exhibition Made in Morelos, was projected by the Monster of Mountain Hollow, Edward Nassour and Ismael Rodriguez, co-production of Mexico and the United States in 1956.

Fire Reetardnant Overalls

Festival Begins Chinelos in Technicolor, or The Return of the hollow mountain monster

seemed that the time is not passed, the wind freshened an afternoon that had been warm and in a torrential downpour as a brief, raised fears of a possible delay or the worst suspension function outdoors. From downtown Zocalo d seemed no many people, disrupted around the boxes, or sitting on a bench or in the yard, residents and visitors seemed following a routine learned: around the square. Around the popcorn con chile and cream, fried flour chips with salsa, soda, arrillo a cig, the famous tepoznieves with extravagant tastes like tequila co n José sipped coffee while his girlfriend, making a fuss he had, apparently, a thick row with Juliana.

The routine of Sunday afternoon was cut by that look askance that they passed away leaving the team to mount the show, looking worried, sweating despite the cool, tie here , make a rivet there to lay the screen, stood up and rebuked: úchale, and the lights went . The wind never stopped and time was already over, this wind and not removed said a lady who was accompanied by her friends and a gardener looked at the haste of the technicians.

Change the place was the order, and changed it, they raised the screen and do that n gala learned knots. And people came, some with chair in hand, others with a drawer, others with a block, a child only with a blanket to avoid staining the beige trousers, groups of three, four, all the order of the white rectangle built to look, some piled on the floor, lying not to cover the back, children and ntendían what was happening and kept running, passing between people, playing not to run. The looks expectantly gathered, a white rectangle called them and I said, suddenly everyone clapping in unison when the wind suddenly stopped and the film started rolling. It seems that one thing was subject to another. All the magic of the spectators, performers and organizers led the synchrony between nature and technology in order to witness jeans, Tepoztlan, monsters and slippers in Technicolor.

Esteban walked slowly placid palace, the promise was high: see The Hollow Mountain Monster, this film in 1954 film it entirely ara in Tepoztlan, and in those years he witnessed in his is Acela train at the cinema at the corner of Zaragoza and May 5. Just remember your emotions at the time, I knew I had a lot to discover himself, like the passage of time, as that hollow mountain was nothing but the Tepozteco and who knows, maybe look at some extra for a friend, a family member .

Ms. Medina said that his two aunts that film appear, there were only to pay attention, surely recognize them, some movement, a gesture, a wink that only she was not escaping, eager to share, bring it to everyone to do it all. And as she m ost other recreated his family history, the memories of their parents, grandparents, uncles.

Preparing fries in a corner of the square Dolores said that Tepoztlan those years was something else: was more beautiful, even the people were not as bold as now - said. Hey, you can not translate to us? We do not know what we are saying. However, although the film was in English, looks more than 160 spectators did not fail to see the sights of Tepoztlan today transformed by new buildings and streets, hands signal abandoned corners and avenues recognized in the projection. Bulls are just pure laps was heard to say to a lady who looked attentive as others, along with a slight smile surprise hidden in her eyes what they found in each court in each memory removed.

Lying on the grass, smoking a cigarette, just laugh, the pronunciation of Panchito out loud. A child whispers Dad, the horses then beware because there are snakes, while again acknowledging his people, Look! Is the hill near the house, said other with eyes wide open ready to detail.

The look s still gathered all the white box where now the color images showed that imposing hill known that landscape. All catering to these images as if it was ra a family film such that one does when celebrating something, and later, when reviewing it, nothing really matters more than the memory enriched by reconstruction of the past were always, the past was better.

The looming shadow lurked the old fat mustache, old, when he saw such a monster shot without hitting the monster, as expected, was devoured instantly killing all insolence, some giggling, no shock . The monster can be seen, first and weight their claws evident in the traces of mud, we see it in all its dimensions and then comes the laughter. The monsters are not now before the resources of persecution and vertigo, either, people know, people laugh, put it, the cheers. The m constructing, oblivious to the derision which is subject is chasing cows, satisfied their hunger by eating some triumphs in 1956.

Then came the best, the woman locked, with the child does not attend indications and gets into trouble, the monster above them, devours spears, had hoped to eat because of hunger and because they are the protagonists. Then the hero confronts him and ends to applause from the audience, who may not understand because he does not speak that language but the language of images is powerful and patent the satisfaction of the attendees, with smile on face and leave kind farewells the socket because you have to go home. Tomorrow is Monday and the routine begins again.

* The monster of the hollow mountain (1954), The Beast of Hollow Mountain, is a real fiction documentary made for the memory rescued people by Maria Berenice tepozteco Fregoso Valdez, who is investigating the production films made in the State of Morelos.

Editor:

José Luis Valdez / Jessica Rivera

Information :

Jessica Rivera / Jose Luis Valdez, Salvador Guzmán