Creamy Cervical Mucus After Ovualation

FESTIVAL CALL FOR MEMORY In Tepoztlan, MEXICO AMERICAN DOCUMENTARY May, 2009. Numeralia

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3rd

3rd FESTIVAL OF MEMORY In Tepoztlan, MEXICO

AMERICAN DOCUMENTARY

May, 2009.

BASES:

1. Participation documentaries made in countries of Spain, Portugal and Latin America to comply with the bases set forth in this call.

2. The registration fee is free. Registration must be lodged by completing the form is on the website www.festivalmemoria.com all properly filled spaces.

3. Papers must be delivered personally or by mail to the following address:

FESTIVAL OF MEMORY

University Cultural Center CCU

Av Morelos esq . November 20

Centro, CP 62000

Cuernavaca, Morelos, México

Tel. (01) 777 3124178 , 312 4450

La fecha límite de admisión de los trabajos será el sábado 24 de enero del 2009. No habrá extensión en la fecha de recepción de las obras.Se tomará en cuenta la fecha del matasellos del correo.


4. La producción de los trabajos deberá ser posterior al 1º de enero del 2008. Los documentales deben tener un mínimo de 30 minutos. No reports or papers will be accepted advertising.


5. Each producer may enter a documentary section.

Memory

history, resistance, social movements and human rights.

Identity

Individuals, groups and communities who seek or assert their identities.

Arts

Biographies of artists and artistic processes.

Ecology

The environment and those who protect and advocate.

6. Contestants must submit 2 copies on DVD and 2 CDs with the following files: 3 frames (stills) of the documentary in jpg format size 480 to 720 x 300dpi, curriculum summary and application form in Word format (. Doc .) These last two should come in print. It is critical that the copies are well packaged and in a box or suitable for them, to avoid damaging the material. Shall be marked by specifying the category to which they are registered, the name of the documentary, director and email. May not participate in this competition who are part of some of the commissions of the festival, nor those who are responsible for the organizing committee.

7. The Festival of Remembrance will give a piece of sculpture with the figure of Zapata to the winning documentaries on each of the categories and the Audience Award. Will be announced on page web awards as they join and are confirmed.

8. All the works submitted will form part of the file of the video documentary of the FESTIVAL OF MEMORY, that in no case be used for commercial purposes or financial gain from coordination. If documentaries are part of the proposal will require TOURING express permission of the copyright owner.

9. The filmmakers whose works have been selected will be notified via email. The results were published in February 2009 at the site www.festivalmemoria.com.mx All materials received and selected will become part of the video of the Festival of Remembrance.

10. be If selected, the document may not be withdrawn from the Festival.

11. By registering all filmmakers accepted the Rules of the Festival of Remembrance. Any point is not clear in their call or Regulations shall be resolved by the members of the organizing committee.

Information:

festivalmemoria@gmail.com

www.festivalmemoria.com.mx

Look

reality

Go documentaries

Come Tepoztlán

Can A Us Citizen Go To Canada For A Abortion

MEMORY FESTIVAL

made
Festivals: 2

Both in the month of May, 2007-2008

Locations: Tepoztlan and Cuernavaca

In 2007, the venue was Tepoztlan. In 2008, it became parallel in Tepoztlan and Cuernavaca.

Number of attendees: 11 000 people

In the two festivals. Audience in Tepoztlan and Cuernavaca to all events.

Number of workshops: 4

2007: Original Documentary Workshop with the Faculty of Arts UAEM / Writing Workshop with Lussas Documentary, France, DOCSDF, Film UNAM and UAEM.

2008: Writing Workshop with DOCSDF and IMCINE Documentary / Documentary Building Workshop hosted by Tourism Secretary for Morelos Morelos.

exhibited documentary Number: 145

Participating countries: 12

Argentina, Cuba, Chile, Bolivia, Peru, Brazil, Mexico, Colombia, Spain, Paraguay, Guatemala, Ecuador.

Roaming: 11 places

Yautepec, Cuautla, Tlayacapan, Ocotepec, Ciudad Juarez, Guadalajara, Jalapa, Orizaba, Queretaro, San Miguel Allende, Mexico City. Main Sponsors

: 8

FONCA, CONACULTA, BBVA FOUNDATION, MINISTER OF TOURISM OF THE STATE OF MORELOS, FILMOTECA UNAM, TV UNAM, FACULTY OF ARTS UAEM, Mexican Institute of Cinematography.

Electronic Laser Bowling

3rd. FESTIVAL OF MEMORY Iberoamerican Documentary Tepoztlan, Morelos, Mexico in May, 2009

Zapata Award

The Festival of Remembrance, with its third edition will continue to expand the window to watch documentaries from Latin America in a privileged setting, the people of Tepoztlan in the state of Morelos, one hour from Mexico City. For the third time the festival will be sponsored mainly by the Ministry of Tourism, State of Morelos.

The Festival of Remembrance is placed as third specializes in documentary film festival in Mexico and the only one who is a municipality headquarters, a starting point for other peoples roaming the region.

The Festival of Remembrance bet on the formation of a regional public and aims to establish itself as a small festival but great in quality and hospitality for a deeper dialogue between artists and audience.

The Festival continues to academic activities through workshops on creating documentaries, conferences and seminars throughout each year to assist the training and in particular to promote and improve regional production.

One of the main purposes is to make projections in spaces where there is no cinema complexes so as to extend the roaming in the municipalities of Morelos, in the "magic people" and in schools in Mexico.

For 2009, the Festival of Remembrance is declared a green festival and promises to take action for environmental and ecological Reserve Chichinautzin is within the Municipality of Tepoztlan.

The Festival of Remembrance grows deep and through the documentary fulfills the mission to educate, to expand minds and build an audience. We try and contribute to improve the world in which we live.

Look

reality documentary Come see

Tepoztlán

Balsa Wood Aluminumfoil

THE MEMORY FESTIVAL CELEBRATES THE DECLARATION OF THE MEETING OF DOCUMENTARY IN CARACAS, VENEZUELA, 2008.

Will Vigamox Affect My Birth Control

3rd. FESTIVAL OF MEMORY Iberoamerican Documentary Tepoztlan, Morelos, Mexico in May, 2009

Manual For Honeywell Thermostat Rth2310b

Closure Closure

The sound of the sheet, drag, and puts Ricardo up with three black rods. See left and black on blue: 2nd Festival of Iberoamerican Documentary Film memory. Three other rugs placed in the same way, Who will Chinelo? , need a tall guy. Ale looks a little tense, it seems that details are unresolved. Salvador do not stop taking pictures of this movement. Isabel will

aide, she will go to the winners on the right side, Laura will make the left side. John gives directions from the center of the audience, yes, our roles in this festival are changing all the time. As the stands lonely souls are to be used by the band, seem to be intentional disorder, a disorder of poetry, waiting, just waiting stage.

A blue box with text that says mitsu is hardly noticeable and is projected onto the white canvas, Cesar explains the order of ascent and descent of the hostesses. Turn it to me a bit , heard John. How many people come?, Nadia says as he climbs the stairs with Alejandra imagining the event which will begin in 30 minutes. At the center, in the scenario is Jorge, take pictures, notes, and on it, the projector mitsu flies like a butterfly. In the background classical music, helps nerves, comfortable waiting environment. Edith

walking back and forth, is calm, happy. Despite that there are still 30 minutes and there are 10 people sitting in the seats. We are on a Tepoznieves while, I hear back. A filmmaker goes, wave, sit, missing 25 minutes. Music, movement organizers and chairs in a lineup perfect, symmetrical, producing a kind of beauty. Rodrigo rushes, almost imperceptible, someone recorded.

Yes, well, two, testing stereo, the music changes, the pace is already faster. Edith rehearses the opening speech, Itzel, his daughter, listening, shows a slight smile.

Want to go see the monster?, is listening, will be repeated.

already hear the violins in the orchestra, rehearse. The musicians look nervous, happy. Bags everywhere, some blues festival, some red, some purple.

Quiet please!, again John, "Prevented for the test?. Sale
Edith, walking hurriedly, Quiet, do not run. Read the welcome address, presented to the orchestra, applause, the orchestra moves. The director talks are placed, they leave. Screen is coming, Third call, we began . Follow the test. And the actors arrive, someone gives them the script.

Outdoor, Humberto is prepared, it accommodates the microphone turned on his white shirt. The camera zooms in, it fits and she is preparing to interview him.

The blue cloth covers the table, the flea market is also prepared, people come, but still can not pass. Starts

mock awards, actors inadvertently are about to reveal the names of the winners, in that reading should be ignored.

Everything is almost ready, the lights, cameras, laughter, nerves. And many people waiting outside, he wonders why he can not enter. Alejandra looks, "and open the doors?. .. already heard.

all applaud, Edith falls, it is no test. The orchestra dressed in black starts. The sound of violins penetrates the skin, all with their eyes wide open, seem to believe it's real this majestic event. The director's hands go up, down, and the course of them, violins, cello, no errors. In the background, outside, there fireworks, do not interrupt, impossible.

Daniel and Veronica come, it seems that the public recognizes both enjoy watching documentaries, plus, in the village. Talk about the festival, the six days of fighting against forgetfulness. Daniel emphasizes the fireworks, everyone laughs.

To avert oblivion and avoid social Altzheimer , says Daniel, we recognize those who have blazed a trail (...) the tribute of the night will be for Humberto Ríos, a teacher who is making their mark, Humberto Rios homenajearte is an honor for the Festival of Remembrance! Humberto

comes forward, he looks happy, we all applauded standing, a feeling of tenderness intoxicates us, admiration, we all see, we listen. Exciting and rewarding , one of my sites still remembers me, (...) spaces for the construction of our democracy are necessary, art, in whatever genre, will always be a witness against his government. The documentary, is that more resources have to look at your reality, obeying their political smell (...), the reality is entering cinemas . All listened attentively, that man up costumes, flip-flops, and gives the statue, a shoe.
After one more piece of the orchestra, in which the clarinet takes us to a dreamlike atmosphere, where all characters were movies. Following the award.

The documentary are many and will be more!

The filmmakers received the award, excited, without words, others were not present, the absence of Ephraim who give the audience award came as a surprise, there was no applause. There was prize ZAPATA, slippers, JULY STATEMENT, SIGNIS and challenge, and honorable mentions. that documentaries are the voice of the voiceless, not to the landfill! was the slogan with which he concluded by Francesco Taboada receiving honorable mention, Manuel Villanueva on behalf of the director of TV UNAM and Matthew Pliego, deliver STATEMENT JULY award to Tracing Aleida, Christiane Burkhard, your baby cheers, and rushed pace catches up, she bends down to charge. Blanca Estela

Monsoon speaks to the strength and dedication of Aleida, for political disappearances in his honor. Holiday is the result of a collective dream, to defend their rights justifies the mencioesn honorary White.

Claudia, Mario and Michael, raise happy, able to challenge and won the prize with Those who cry at night.

Inti, spontaneous, speaking of what is behind the festival. Spend Alejandra Islas, black boot. As time goes on is heard more serene. The achievements, challenges, setbacks, on an analogy with river stones, stones that adorn the image of the festival, smiling, almost laughing, it is unknown if taste or nerves, but she seems happy. Appoints each of those who made the festival possible, and followed it all on stage, look to the public, in light of the lamps, he keeps a little, is very strong, a collective embrace, applause. We

the Zocalo, the most controversial character of the festival will be there, yes, The monster of the mountain hollow.

Implementation:
Jessica Rivera / Jose Luis Valdez

Commission press release: Berenice
Fragoso, Salvador Guzman, Jose Luis Valdez, Jessica Rivera.

My Dogs Toe Turned Black

CHRONIC

One

Miguel brings in his hand, shakes it, looks nervous or upset, or perhaps anxious, nothing else. Luisa brings in its pouch, so it comes out, so I see it, Rode and grabbed it, not read, it's just a kid and made him easy to make a ball with the waxed paper. Julia brings in his mouth while wagging his coffee and grabs his show, he paid with 50, will return 40. Don Antonio and the girl asks for one door gave him his, the more wrinkles and folds look rosettes, white lines on the blue when they are extended. They both folded and unfolded their programs, open up, close, turn around, and quickly locate what they want, make them to close, reopen, the pressure of all forces them to turn their program in multiple ways, and create pleats, other ways to make these programs portable condensing the content of the festival.

They also provide other uses, its ultimate cause mutate and become fans, and soon very useful instrument, which hand won heat air to check the slide and the seesaw of stairs. But most have already learned the lesson, stand the heat 1 to 2 minutes, the jets bear sweat a bit, so the heat goes, the owner of such lies somewhere, and every day there are fewer programs range yesterday. Also used as seats for more neat not to stain the buttocks. Some others who do not like the hustle-or just like the agenda, and stay on one seat and not go back and forth, Library - Auditorium, Auditorium - Library and at the end of the Zocalo, these, "the I've seen - aside with their programs leaves the books they read between function and function. And they look just as if they learn of all the movies and not intended to hustle those blue papers those with stones they say. Two



climbed the stairs of Plaza San Rafael to get to the office and take the fan that was badly needed in the projection booth. While the mini DV back to begin with the next film, connect the fan Elira and the environment gradually becomes less heavy, the air to finally breathe, relax, even the stress from the hustle and failures techniques.

Rosa enters the auditorium and asked whether the screening will begin. Rosa is one which runs daily, we know the programming of memory. His hair is disheveled and usually bring a backpack with embroidered letters EZLN. Enters, walking slowly, very slow, and still hits Salvador seeking the microphone because it's up to present.
Waiting for those who were in the anterior or arrived before the time seems not to bother. Each other is recognized, talk, sometimes exchanged aspirations of the documentary next or previous value judgments. Already known, were the day before, were found in the bathroom, walking through the dark brown earth outside the auditorium remodeling product, closing the curtain, in voting the film, sitting at the exit. I see you more often than my sister, tells Andrew to this young woman with dark hair almost to his shoulder. There are commonalities between these men and women anxious to explore, learn more about other realities, other spaces, other worlds. Men and women who feel outrage, anger, sadness, to laugh, to laugh aloud, to understand the poetry of the coconut meat is digested in 40 days and 40 nights.

Editors: José Luis Valdez
/ Jessica Rivera Hamed

Muslim Sayings On Wedding Card

5.1. Memory, the memory, the challenge

FESTIVAL OF MEMORY:

Latin American Documentary Film in Tepoztlan, Morelos, Mexico
11 to May 18, 2008 BULLETIN


At 19:00 hours Tepoztlan Ilhuicalli Auditorium held the closing ceremony and awards.

Edith Lara, Coordinator of Tepoztlan welcomed the 2nd Festival of memory and presented to the Youth Orchestra of Tepoztlan who played the musical piece perteneiciente to the soundtrack of Lord of the Rings.

Actors Daniel Martínez Verónica Merchant and rose to the podium and conducted a review of the 2nd Festival of memory and the characteristics of the site, the magical village: Tepoztlan. It followed began with the award which began with an emotional tribute to documentary filmmaker Humberto Rios, who took the stage to direct a sublime words with a strong message against forgetfulness, a message for the ideals of the struggle of the peoples of Latin America. Received the award in the hands of the characteristic ZAPATA Chinelo.

WINNERS PRIZE

ZAPATA

ZAPATA Award for Best Investigative went to Argentine film July 4, the slaughter of San Patricio, Pablo Hernán Zubizarreta and John Paul Young.

The Honourable Mention for Best Investigative was for co-production Mexico - Guatemala - Germany Assault sleep, Uli Stelzner.

ZAPATA Award for BEST EDITING was for the English documentary Lucio, Aitor Arregui and Jose Maria Goenaga.

received an Honourable Mention for BEST EDITING , the English documentary Madrid, the shadow of a dream , Alejandro Andrade and Mexican documentary photographer Hector Garcia, Carlos Rodrigo Montes de Oca.

ZAPATA Award for BEST CINEMATOGRAPHY was for the English documentary La Serenissima , Gonzalo Ballester.

The Honourable Mention for BEST PHOTOGRAPHY went to Mexican documentary 13 villages, in defense of land, water and air, Francesco Taboada.

ZAPATA The award for best documentary category ART was for the English documentary The poet's place of David del Águila.

With two honorable mentions for best documentary category ART , for English documentary La Serenissima , Gonzalo Ballester, and the Mexican documentary Hector Garcia, Photographer, Charles R. Montes de Oca.

ZAPATA The award for best documentary category SCIENCE AND ECOLOGY went to Mexican documentary Voices of Chichinautzin , Patricia Sims and production of Luis Patron.

received an Honourable Mention for the best documentary category SCIENCE AND ECOLOGY, Peruvian documentary Tambogrande, Ernesto Hair and Mexican documentary Antarctic Strait de magallanes , de Mauricio Mendoza.

El premio ZAPATA para el mejor documental de la categoría IDENTIDADES fue para el documental español Yanny Levkoff , de Luis Alaejos y Raúl D. Alaejos.

La Mención Honorífica para el mejor documental de la categoría IDENTIDADES fue para el documental peruano Alguna Tristeza , de Juan Alejandro Ramírez.

PREMIO JULIO PLIEGO

El premio JULIO PLIEGO en manos de Manuel Villanueva en ausencia de Ernesto Velázquez Director de TV UNAM, y Matthew Pliego, son of the documentary who are humbled by this award, was for the best documentary category MEMORY AND DEFAULT the Mexican documentary, Tracing Aleida , Christiane Burkhard.

The Honorable Mention in this category, was for the Brazilian documentary Feast Day of Toni Venturi and Pablo Georgieff.

SIGNIS AWARD

SIGNIS Award which awarded the World Catholic Association for Communication, was presented by Blanca Estela Monzón, representative of the group, and was awarded the Mexican documentary, Tracing Aleida , Christiane Burkhard.

The Honorable Mention went to the Brazilian documentary Feast Day of Toni Venturi and Pablo Georgieff. AWARD

Chinel

Awarded by the voting public, the Chinel AWARD went to Mexican documentary My Life Inside, Lucia Gaja. DOCUMENTARY CHALLENGE

The award DOCUMENTARY CHALLENGE , short film during the festival in 100 hours was given for those who cry night, Mario Gomez and his team, the Rector of the UAEM, Dr. Fernando Bilbao.

Veronica Merchant and actors Daniel Martinez thanked the public for viewing documents, and sponsors like FONCA CONACULTA IMCINE, Film Division of the State of Morelos, Instituto de Cultura de Morelos, AC Sacred Valley, Journal of Morelos, the former Convent Museum of Tepoztlan, the Film Library of the UNAM, the CUEC, UNAM, the Universidad Autonoma del Estado de Morelos, UFM Alterna, the Government of the State of Morelos, Ministry of Tourism, Magic Towns and Tepoztlan hotel services such as: Posada del Tepozteco Hotel Nilayam, Hotel Quinta Roma, Amanda Posada, Posada Vereda Tepozteca, New Dawn Hotel, Hotel Garden of Sun; Restaurants: Colorines, Luna Mextli and Plaza San Rafael.

was then left the microphone to the head of the 2nd Festival of Iberoamerican Documentary Film Memory, Alejandra Islas, who made a reflection of what the festival, its challenges and setbacks, with an analogy to the river rocks that was the image of the festival. Following this, the President invited Luciana Cabarga the stage, Tepoztlan Coordinator Edith Lara, Rodrigo Priego General Coordinator, Academic Coordinator Miquel Angel, and the whole team that made this second edition of the Festival of Remembrance, was so much applause and laughter, that concludes the festival with the slogan to return next year in its third edition. After the ceremony, the public was invited to the 2nd screening at the festival of The Beast from Hollow Mountain , American film shot in Tepoztlan and recently rescued by Berenice research for memory Fregoso Valdez Village Tepozteco film has caused a stir in the audience. Following this, a collection of images projected by Nadia Altamirano, narrating the Cuernavaca highway construction - Tepoztlan. In conclusion, read the chronicle Chinelos Technicolor developed by Jose Luis Valdez and Jessica Rivera Hamed, with information on Salvador Guzman, in the framework of the festival at the first screening of Monster Mountain Hollow , not projected in Tepoztlan since its debut in the fifties. The closing cocktail was held at the "Candombe of the ugly" in an intimate atmosphere between filmmakers and the festival organizing team.

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Sixth day in the report, Activities

2nd. FESTIVAL OF MEMORY: Latin American Documentary Film
in Tepoztlan, Morelos, Mexico
11 to May 18, 2008

BULLETIN May 16, 2008

Ilhuicalli
Auditorium at 12:00 pm in the Auditorium Ilhuicalli of Tepoztlan, more official identities of the section was projected cinera Profession Hugo Gamarra. Paraguayan film of 60 minutes, produced in 2006.

At 13:15 pm in the Auditorium Ilhuicalli of Tepoztlan, more memory and Rebellion in the Official Selection, screened Tracing Aleida de Christiane Burkhard. Mexican 88-minute documentary produced in 2008.

At 15:00 pm in the Auditorium Ilhuicalli of Tepoztlan, more memory and Rebellion in the Official Selection, screened Lucio de Aitor Arregui and Jose M. Goenaga. English 93-minute film, produced in 2007.

Tepoztlán
Public Library Mr. Aniceto Villamar

At 12:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, as part of the Mirador Shows Mexico, Breath of God projected Cristina Fregoso. Mexican 71-minute documentary, produced in 2007.

At 13:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, more Art Official Selection, screened Emotions acuerpadas George Prior. Mexican 26-minute documentary produced in 2007. It was attended by the filmmaker who eventually spoke with the public.

At 14:300 hours Tepoztlán Public Library Mr. Aniceto Villamar, more art, Official Selection, screened Place poet David del Águila. 50-minute English film produced in 2007.

At 15:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, in the category Science and Ecology of the Official Selection, screened Forest hope Iris Disse. Ecuador 43-minute film produced in 2006.

University Cultural Center in Cuernavaca, Morelos

At 16:30 pm in the Centro Cultural Universitario de Cuernavaca, Morelos, Mexico as part of 68, 40, was projected Leobardo Lopez's shout Aretche. Mexican documentary produced 105 minutes in 1970. Film

Morelos in Cuernavaca, Morelos

At 16:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Mirador Shows Mexico, Maya was projected, the cycle of teaching Abhayaco Balam. Mexican 60-minute documentary produced in 2007.

At 17:30 pm in Room Film Morelos Cuernavaca Morelos, as part of the Mirador Shows Mexico, projected the island's youth Ana Laura Calderón. 72 Mexican Documentary minutes produced in 2007.

At 20:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest Lussas, projected Simone Bitton's Wall. Coproduction France / Israel 100 minutes produced in 2004. Cine Morelos

Sala Miguel Zacarias

At 16:30 pm in Room Miguel Zacarias, as part of the sample DOCSDF was projected Ariana's eyes, Richard Macián. English 93-minute film, produced in 2006.

At 16:30 pm in Room Miguel Zacarias, as part of the sample DOCUSUR was projected Birthday of Negin Kianfar. Co Netherlands / Iran of 63 minutes, produced in 2006.

At 16:30 pm in Room Miguel Zacarias, as part of the sample Lussas was projected flagrante delicto, by Raymond Depardon. 90-minute French film, produced in 2004.

Inflatable Rainbow Baby Walker Worldwide

The challenge, magic, work and waiting

The plan is mapped out and the tour began on the main streets of town. Visited schools, churches, markets and places where it is rumored that the spirits of the dead villagers live with those who still inhabit the magical town. Yes, indeed!, I came down the road and saw her standing on the shore, dressed in black and I could not see their faces, while they talked Rubén is surrounded by a circle of watchful eyes, a shocked and incredulous that other story I had so passionately. The red and blue lights illuminate the turrets May 5, the main avenue, Mario, Claudia, and Miguel, they, the Documentary Challenge, I do not think and go up, the patrol came their way to the cemetery. The challenge: make the night is not a deterrent, but the protagonist.

Joseph comes across a little house made of thorn Pochote. Imagine hands involved, perhaps making skipped veins highlighted in the back of the hand, fingers, delicate but strong and accurate, hands surely brown craft engaged in this piece, who have the gift of transforming the thorns; no one knows for sure and think to find out. Angel tells her story to those curious documentary novel-as it should be. You look, another record, another writes, everyone listens. Admire the ease with which the hands carve the spine, ease gained in the course of time, inherited from his mother. What those hands produce this family is sustained, it needs no more, because I won the lottery 3 times, "she says, head down," one for each of my two sons and the third Angel.

Green, brown, red, pink, the colors that Daniela is on its way. A portrait of a people that impacts with the varied tones of its spaces, its rhythms, its people. Fights and legends surrounding the spirit of this magical place. The camera is the perfect framing in every corner. John Smith-yes, that is called and no one believes because of the obvious features German and the Dali mustache, appears on screen with his usual calm and smiling from ear to ear. Is 8, over time, at this time is always up, edit, it feels horrible having to discard a single image. The cocktail

someone asks if you project the Challenge. Uff, now they're having, I left!, Says John with a glass of red wine in hand, at 10 repeats, tells who has searched it, and everyone at the table rush the shot to go to the Zocalo. In fact, upon arriving found the public at 4 feet from the screen white, mostly sitting, with the intrigue of what was done in just 100 hours, as stated in the advertising-DOCSDF Tepoztlán Documentary Challenge. What have they done?, Valentina asks before taking a bite out of your esquite with cream and chile, that smokes and stings.

The filmmakers look nervous, it says its coming and going, his hands do not stay still, their feet leaps and dances, the euphoria and expectation is rest, no longer see the faces of the audience, seeking an immediate reaction signal to let them see the verdict on what has been done. No one knows what the public will choose, but looks satisfied with the villagers, the see his own people, people, manners, work, ghosts, covered by three different views, is already a reward.

Editor:

Jessica Rivera / Jose Luis Valdez

Information:

Berenice Fregoso / Jessica Rivera

Words For A Super Bowl Invitation

Fifth Day in memory

2nd. FESTIVAL OF MEMORY: Latin American Documentary Film
in Tepoztlan, Morelos, Mexico
11 to May 18, 2008

BULLETIN May 15, 2008

Ilhuicalli Auditorium Tepoztlan

At 15:00 pm in the Auditorium Ilhuicalli of Tepoztlan, more art, Official Selection, Hector Garcia, a photographer, Carlos Montes de Oca. Mexican 60-minute documentary, produced in 2007. The director was present and spoke with the public at the end of the projection.

At 16:30 pm in the Auditorium Ilhuicalli of Tepoztlan, more Identities, Official Selection, screened Yanni Levkoff, Louis Alaejos-Raul Diez. English 84-minute film, produced in 2006.

At 18:30 pm in the Auditorium Ilhuicalli of Tepoztlan, more Identities of the Official Selection, screened Mexican Chile, by Alejandra Fritis. Chilean 74-minute film, produced in 2006.

At 20:00 pm in the Auditorium Ilhuicalli of Tepoztlan, more Identities, Official Selection, screened Angel, Lilly Wolfensberger. Mexican films of 30 minutes, produced in 2008. It was attended by the filmmaker who spoke with the public at the end of the projection.

Tepoztlán Public Library Mr. Aniceto Villamar

At 12:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, as part of Made in Morelos, Ruben Jaramillo was projected 1900-1962 A Mexican history, Oscar Menéndez. Mexican 53-minute film, produced in 1987. It was attended by the filmmaker, who at the end of the proyecciópn spoke with the public.

At 13:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, as part of Made in Morelos, was designed All Souls' Day, Alfonso Viladoms. Mexican films of 33 minutes, produced in 2007. It was attended by the filmmaker, who at the end of the function, spoke with the public.

At 15:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar more Identities, Official Selection, screened live the struggle! , Gustavo Vazquez. Co-production of United States and Mexico of 54 minutes, conducted in 2007.

At 16:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, in the category Science and Ecology, Official Selection, screened Antarctic Strait of Magellan, Mauricio Mendoza. Mexican 32-minute documentary, produced in 2007. It was attended by the filmmaker, who at the end of the function spoke with the public.

At 17:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar as part of the Mirador Shows Mexico, Maya was screened in the cycle of teaching, Abhayaco Balam. Mexican 60-minute documentary, produced in 2008.Se attended the filmmaker, who at the end of the function spoke with the public.

At 17:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, as part of the Mirador Shows Mexico is projected Isle of Youth, Ana Laura Calderón. It was attended by the director, who spoke with the public at the end of the function.

Tepoztlán Socket

At 20:30 pm in the Zocalo Tepoztlan, as part of the Mirador Shows Mexico, projected Shamans, Antonella Fagetti. Mexican documentary 89 minutes, produced in 2007. It was attended by the director who spoke with the public at the end of the function.

University Cultural Centre

At 16:00 pm in the University Cultural Center of Cuernavaca, Morelos, Mexico as part of 68, 40, projected 68, thirty years later, Jaime G. Morett. Mexican 27-minute documentary, produced in 1998.

At 16:30 pm in the University Cultural Center of Cuernavaca, Morelos, Mexico as part of 68, 40, Olympia City project, the year we were modern, Daniel Inclán and Carlos Hernandez. Mexican 33-minute documentary, produced in 2007.

at 17:15 pm in the University Cultural Center of Cuernavaca, Morelos, Mexico as part of 68, 40, was projected History of a document, Óscar Menéndez. Mexican 55-minute documentary, produced in 1998. Film

Morelos

Morelos Room

At 16:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Mirador Shows Mexico, was designed mazes of memory, Guita Schyfter. Mexican Docuemtal 95 minutes, produced in 2007.

At 18:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest DOCSDF, projected Circus School, Ping-Ke Guo. Chinese Docuemtnal 103 minutes, produced in 2006.

At 20:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Mirador Shows Mexico, projected Sound of Tesechoacán, Inti Cordera. Mexican 70-minute documentary, produced in 2007.

Sala Miguel Zacarias

At 16:30 pm in Room Film Miguel Zacarias Cuernavaca Morelos, as part of the Festival Guest Lussas, projected construction, José Luis Guerin. Co-production of France and Catalonia in 127 minutes, produced in 2000.

At 19:00 pm in Room Film Miguel Zacarias Cuernavaca Morelos, as part of the sample made in Morelos, projected Ruben Jaramillo, a Mexican history of Óscar Menéndez. Mexican 53-minute documentary, produced in 1987.

At 20:30 pm in Room Film Miguel Zacarias Cuernavaca Morelos, as part of the Festival Guest DOCSDF, appeared Cats Mirikitani, Linda Hattendorf. U.S. 74-minute documentary, produced in 2006.

Where Should A Coffee Table Sit

Among books Huichol

I

The cadence of that dark woman Tehuano dress and almost imperceptible smile, was the corollary of that exposure. Under this box adorned with a black and white cinematography and Mexican motifs, Miquel Angel reads, with its festive look with smiles on every dimension, watch the audience, waving his hands, straightens in his seat, moves forward is restless but happy, he stutters his voice when he recalls his friend Emilio García Arriera, the central protagonist of the Mexican film critic, once a factory worker in the kitchen, where downtime begins to make critical the movies he saw, whom Angel has compiled a series of film reviews that make the book enjoyable game II. There are those who follow his words, the anecdotes she tells us, the critical assessments about the book from his friend. Angel ends with a nervous smile, but confident, with the duty. Without further ado, I present to Gabriel Rodriguez, who is there to present the book The Birth of Que Viva Mexico! Aurelio Reyes, Gabriel speaks slow, knows every adjective, every irony, every metaphor, Aurelio Reyes speaks of his travels, his search for answers, his wisdom in asking, seeking. Aurelio looks serene, almost all the time head down, listening and remembering, from time to time agree. Gabriel tells a story stainless patience comes to light. A tough nut to crack story, story involving a duel with time and challenge the maze. As Sergey tells Gabriel, ambassador of socialism that came to Mexico, keep coming 6th students of the Faculty of Arts. Brenda joins trying to catch the course of the discussion. Aurelio continues his adventure in Moscow without knowing Russian, panic fact, in sandals because they knew the weather in Moscow, located on the rail of the deportees to arrive early, it illuminates the eyes, a feat that would direct to find the necessary information to discover every detail of the identity of Einsestein, who face the challenge of addressing the Soviet director of a new and original way, where the game is perceived political and artistic evolution.






II

The curtains are closed to shut off the light, plus one more-is heard-and Daniela rushes with his unique hat, sits down, she followed others come rushing also seek their seat in the dark, all called by the strange echo of that music. Cell phones light up the aisles of the room, use them to not rush through the steps so small which hinder the descent and ascent. Students down the stairs, directors, organizers and the public was groping the way, who come to see what sounds interesting. Hoarse voice is heard, probably a English: Franco is dead, English, Franco is dead, Franco is dead ... words followed by a scream, electric guitars to the tune of La, colorful images of strange purple and black lines stand out, eccentric characters and a man known, damn, it's Pedro Almodovar, says a woman's voice, then then shut because the function has already started and the image is so powerful that requires full attention.




III The sky dark brown gauze of clouds, the moon can be seen among the clouds spaces left, the silver color of the needles of moonlight illuminated the ground, mixed with the yellow light of the square, can walk and placed without problems. It's 8:30 and the program notes Soneros de Tesechoacán, but not about the magic that comes because you can not predict in any way.
screen tied to a pole and a tree, erect, hold, is the first night that nothing moves, no air. A little sweat cools the skin looks when it touches air, people are sitting, waiting time. A man of Indian-looking features, brown skin, medium height, dressed in ponchos embroidered with blue, red, pink, yellow figures that if they do not have meanings themselves are beautiful, shoes and leather sandals sole rim, brown, worn, a colorful cotton webbing pierced his chest, hits a hat hanging around cream-colored figurines, sea shells appear, bring a backpack, a scarf around his neck, and hands, a fiddle, Urra Muirre is called and begins to play. Is it part of the program, asks a clueless who do not yet feel the energy that emerges from the act, the Huichol plays a melody that follows nostalgia on the rise and fall of the arc in contact with the strings. Looks nothing but sees it all ends passion, sweat, clap and there are those who have come together again, perhaps unwittingly, perhaps without knowing. Then comes another, younger, wearing the same, brings a binge, just look and understand everything, touch, in people with emotion, still look like children fascinated with eyes and ears to those who make the night unforgettable, that the fill of nostalgia and emotion that make regaining something that just noticed, remained vague in his memory. End, applause, euphoria, public taste, touch the Huichol, who also sudan and return to play, why not one more. Since more people now, as if they were attracted by a pied piper dressed in Huichol and nostalgic longing rate but also search and hope. The music stops, the director of the film that follows, Inti Cordera, smiles, urging you to speak, what I can tell, he says, his excitement is evident in his pauses, in doubt of the words you use.
The Indian violin has been to see the film, still watch, hear, smiles and laughs from time to time, like everyone else, like no other.

Director: José Luis Valdez
/ Jessica Rivera

Research:
José Luis Valdez / Jessica Rivera / Berenice Fregoso / Salvador Guzman

How To Make My Own Free Baptisminvitations

hurried silences and fourth day in memory

2nd. FESTIVAL OF MEMORY: Latin American Documentary Film
in Tepoztlan, Morelos, Mexico
11 to May 18, 2008 BULLETIN

Can A Chest Infection Affect Blood Sugar

In memory of the revolutions that never end

documentary film The Man ...
tool for changing consciousness and
thereby changing realities. Humberto Ríos

The former convent is next to the cathedral, an architectural jewel that combines pre-Hispanic features highlighted in the pictures that adorn it blocks erected, and engineering conquerors, who built an enclosure for their beliefs. The place is cool, with high ceilings, light colors on the walls and ceiling. There are workers on scaffolding and draw some lines that seem to be drawing Hispanic tribal insignias. The corridor is long and brown tiles, there is a shelf with pictures that give hints of what was once Tepoztlan from those shelves, the corridor turns left and immediately you know you walk into one of four sides forming a courtyard. An open door leads to a rectangular room hung with pictures of the ritual water Nahuatl, the doorway lets in outside light, that clear bright lights inside the room. Upon entering the room is the chirping of birds, which seeps through another door opened, it gives another courtyard that greets visitors, this time invited by the Festival of Remembrance. The atmosphere of camaraderie prevails inside, do not know if everyone knows in advance or if their faces and talks are already familiar to often be found between headquarters and headquarters, between function and function.

Jimena sits in the back, there are occasional chair later but does not stop with the sound of their tire soles, the words of Blanca Estela Monzón, moderated the discussion with Humberto Ríos, the honoree of the Festival. Humberto's face is serious, attentive listening to the words of his host, that with that particular shade of the Argentine gives his account of a cadence, pitch, rhythm and warmth that range from the solemn to the poetic. Blanca Estela is clear and tells the audience, and Humberto, of course, with these words he prepared, the affection and admiration is the honoree.

The room is full, many have been called the first activity Academic Festival of Remembrance, attentive listening and softened the faces, the teacher Rivers, is above all consistent between the speaker and makes ... between speech and action, that is someone who betrays, an exceptional human being where there is no dichotomy between the visual subject and the social subject ... humanist by nature, an artist by choice. White said, categorically, with the audience attentive to his words, that the cinema works with an awareness of what does survive and Humberto-film-with the imaginary Latin American revolutionary. Humberto

silently records everything, it seems that revives the images of those years, as if his large, square lenses were smaller screens where the memory is planned. Look moments, places and names never lost his memory, never missing in there, in your head, always carry despite having left everything-clothes, movies, books, films, more than one occasion in the steady loss of links was his life in exile. It seemed that as many faces as they filed past the White mentioned, and everything was to happen again, the scenes of him directing, producing, talking, speaking out about injustice, to what should not and must change. And Humberto

speaking, eyes expectant, the teacher talk. White's words opened flowers and wounds, was the first to say, Jim, moved sensed the jumble of emotions that probably caused those words. No detail lost anyone, Luis, and Ivette, who followed the words and continued: I am a man who lives with the feeling that much remains to be done ... I will not change, nor do I want to change, I remain a man always , and air mixture a sense of tenderness and hope is felt as wind.

first words are exchanged and then follows the film Faena, which White has already referred to be decisive in the history of Argentine documentary, where the teacher-in the sixties, a young just-documented in a slaughterhouse, the need to kill to live, and achieves a portrait of a daily death and a disturbing analogy. The raw images hark back to the German concentration camps and are not anything but a premonition of the tragedy involuntary genocide in Argentina.

black and white image of the head of a cow lying on the ground, attached to this image the sound of the beating of a heart that is about to go, the sound echo in the ears of Louis, the eye the answer seems to observe the camera and something tells us something we are encrypting, which do not fully understand but which is now stored in memory, Humberto Ríos knows something crucial to decipher the mysteries of death huge transformation. In the fierce-and often unfair-fight of the fittest.

Editors: José Luis Valdez
/ Jessica Rivera

Information:
José Luis Valdez / Jessica Rivera / Berenice Fregoso / Salvador Guzman

On Sims 3 Stop Fertility

Scenes from the Festival: Reality and memory

Interior / Auditorium Ilhuicalli / 14:58

John looks rushed his watch, know that is late, your program says, sweating enters the auditorium and receives Isabel, tall girl, friendly smile and attentive voice who gives him a ticket and invited him to vote end of the film. John barely attends but it's looking, John is directed to enter, but some call in the lobby, the three screens they call and they do decide to come late, or so it seems to say, and look at the pictures hanging, there before go to Tepoztlan, including sepia, see landscapes, children, ladies, slippers, native fashion, the construction of the road to Cuernavaca Tepoztlan join with the city. Begins to lose his gaze there in the line is lost in the background, which carries the image outside the box when she hears that the function starts, a calm voice, perhaps with a different tone Argentine, Chilean or Peruvian-in this Festival is all-about something that happened in Germany, hear the word Olympics, soccer, black, cholo, stop looking to keep looking, is heading up the stairs, climb, and do not sweat, if not refreshed itself has desacalorado, when up, is again Isabel, quick downhill with a packet of papers in his hand and apparently immovable smile - again. John fumbled his seat, he does, on one side spreads her legs, straightening up, looking as it has to be so, plan to stay for three functions, perhaps four.

Exterior / Environment Library Tepoztlán Mr. Aniceto Villamar / 14:25

Jobito walks as if floating, light moves to the Library, the sun is to lead, his dark skin, wrinkled, shining in the sun, wears a black and white, floral, stops to watch the blue blanket with the program for day and week, looking for his film, where she goes out, finds it in on Monday at two media, do not know what time it is believed that a short while he starts. Upload the doorstep, watching with pleasure the letters on a black background fummy to announce that there is the movie theater, then, the library does not ignore its role in film exhibition. Jobito happens and see that there is some sitting, surrounded by books stacked on their shelves, which in turn are stacked to make room for chairs and projector. Jobito viewed on screen, just shows emotion or concern, when followed and review what he said while being interviewed, while recording, is serene, without arrogance. Jobito is Granicero, feel the energy of the beam and sometimes do not need anything else to feel good and awake, not coffee, not even food, his voice is soft but surely, we can even say that vibrates a little while explaining his concern, because those who have the gift and do not want to be Granicero, are finished and no one wants to receive that knowledge, applaud at the end, he looks as he let out a cheer and smile.

Outdoor / Public Library of Tepoztlan Mr. Aniceto Villamar / 17:40

Someone asks if you are coming Dona Rosario and maybe get a response.

Interior / Auditorium Ilhuicalli / 18:28

Martin asked for the floor,'s wearing a red shirt, jeans and sandals, warm note, look askance at his son, no more than 6 years, just to see Saul Roque denounced attacks against their communities and nature, water, earth and air, a Nahuatl ritual of gratitude because he stopped a housing development and land gains, at least for now. Martin speaks loud and clear: when we see the TV and watch movies and of war, violent scenes, I tell my son, because it has an obligation, I say is lies, which are actors, that's not true, but now, seeing these images of confrontation, when police pulled the big lady and others are being persecuted, I could not tell it was not real.

Interior / Auditorium Ilhuicalli / 21:30

Juan comes back quick, looked three films and had to go to dinner, he quickened his huitlacoche quesadillas because he said Doña Rosario Ibarra was in the auditorium Ilhuicalli , paid quick, steep your drink in one gulp and went almost running, going up the stairs there was nothing but silence, which made him think that perhaps it was all a bad joke, turned away curtain and the first thing he saw was black screen and a roller with white credits, came, everyone was still looking, without praise and without haste to escape as it was in other films, ended the roller, the screen turned white The light came on and lit up faces in shadow, was sweating, remnants of tears, sad faces, some angry or sad, broke the silence, contained euphoria led to a cascade of applause, and praised John joined something but I sensed he was not very good condition. Cecilia Serna and Carlos Lenin Carranco, stood between the cheers and clapping, Mrs. Rosario and instead waiting despite the invitation, Here's hoping that the applause was extinguished and led to the question and answer session, which was crowned with reflections of spectators involved in the story they had just witnessed, reminded everyone that no one can stay outside, that somehow and if humans are, that story has to move us ... that in Mexico there are those stories that do not go on TV, but they exist.

Exterior / Street May 5 / 22:00

Isaac and Itzel walk with their dad, their faces are moved, their eyes still see strong images. Isaac, 11, goes to his dad: Hey Dad, what things passed, as with Hitler ... Why not put it in textbooks, if this is part of the history of Mexico, why hide it by governments? Itzel ends the discussion will continue in silence until you come home, three blocks from there: Why not tell us that Dad? Salvador only managed to say what that is precisely what makes the Festival of Remembrance.

Editors: José Luis Valdez

/ Jessica Rivera

Information:
José Luis Valdez / Jessica Rivera / Berenice Fregoso / Salvador Guzman

Dale Earnhardt Pinewood Derby

Third Day in Memory

2nd. FESTIVAL MEMORY:
Latin American Documentary Film in Tepoztlan, Morelos, Mexico
11 to May 18, 2008

NEWSLETTER May 13, 2008

Auditorium Tepoztlan Ilhuicalli

At 12 : 00 pm in the Auditorium Ilhuicalli of Tepoztlan, as part of the exhibition Made in Mexico, projects a sweet life, Mario Gomez. Mexican 10-minute film, produced in 2008. It was attended by the director.

At 12:30 pm Auditorium Ilhuicalli of Tepoztlan, as part of the sample Mirador Mexico, was screened under Juárez, the City Devouring their daughters, Alejandra Sánchez and José A. Lamb. Mexican 97-minute documentary, produced in 2007.

At 15:30 pm in the Auditorium Ilhuicalli of Tepoztlan, more memory and Rebellion, Official Selection, screened Gate 12, Paul Tesoriere. Argentine 90-minute documentary, produced in 2007.

at 17:15 pm in the Auditorium Ilhuicalli of Tepoztlan, more memory and Rebellion, Official Selection, screened Assault on sleep, Uli Stelzner. German Film, Latin American-themed, 83 minutes, produced in 2006. It was attended by Uli Stelzner who spoke with the public at the end of the projection.

At 19:00 pm in the Auditorium Ilhuicalli of Tepoztlan, more art, Official Selection, screened La Serenissima, Gonzalo Ballester. 29-minute documentary, produced in 2006.

at 19:45 pm in the Auditorium Ilhuicalli of Tepoztlan, the category Science and Ecology, Official Selection, screened Chichinautzin Voices of Patrick Sims. Co-production between Japan and Mexico in 45 minutes, produced in 2007. It was attended by producer Luis Patron, who spoke to the crowd at the end of the projection.

Tepoztlán Public Library Mr. Aniceto Villamar

At 15:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, in the category Science and Ecology, Official Selection, screened Day Party, by Toni Venturi and Pablo Georgieff. Brazilian 77-minute film, produced in 2006.

At 17:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, Official Selection in the category of Art, was designed Hector Garcia, a photographer, Carlos Montes de Oca. Mexican 60-minute documentary, produced in 2007.Se attended the filmmaker, who spoke with the public at the end of the presentation.

At 18:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, in the category Science and Ecology, Official Selection, screened Cacaluta, Manuel Tenorio and Martha Kuri. Mexican 60-minute film, produced in 2007.

At 20:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, as part of the sample Mirador Mexico, projected Shamans, Antonella Fagetti. Mexican documentary 89 minutes, produced in 2007.

University Cultural Center in Cuernavaca, Morelos

At 16:30 pm in the University Cultural Center of Cuernavaca, Morelos, as part of the 50 th Anniversary of the New Wave of French cinema, was screened Eric Rohmer, with their tests (I) by Andre Labarthe. 60-minute French documentary produced in 1994.

At 17:30 pm in the University Cultural Center of Cuernavaca, Morelos, as part of the 50 th Anniversary of the New Wave of French cinema, was screened Eric Rohmer, with their trials (II) by Andre Labarthe. 60-minute French documentary produced in 1994. Film

Morelos in Cuernavaca, Morelos Morelos Room

At 16:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest DOCSDF, projected the State Israel against Tali Fahima, Tal Hakim. Israeli film of 58 minutes, produced in 2006.

At 17:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest DOCUSUR Rakas was projected, Belly Dancing, Iris Rubin. Israel film, 73 minutes, produced in 2006. Sala Miguel Zacarias

At 17:00 pm in Room Film Miguel Zacarias Cuernavaca Morelos, as part of the Festival Guest Lussas, projected on the beach of Belfast, Henri-Françoise Imbert. French film of 39 minutes, produced in 1996.

At 17:50 pm in Room Film Miguel Zacarias Morelos Cuernavaca, as part of the Festival Guest Lussas, projected Tweety Lovely Superstar, Emmanuel Gras. French 18-minute short film produced in 2006.

at 18:10 pm in Room Film Miguel Zacarias Cuernavaca Morelos, as part of the sample made in Morelos, was introduced deer: a proposal for life, Horacio Pichardo. Mexican short 13-minute documentary, produced in 2006.

At 18:30 pm in Room Film Miguel Zacarias Cuernavaca Morelos, as part of the sample made in Morelos, there was a sweet life, Mario Gomez. Mexican short 10-minute documentary, produced in 2008.

At 18:40 hours, Room Film Miguel Zacarias Cuernavaca Morelos, as part of the sample made in Morelos, the Guardians had time, Ricardo del Conde. Mexican 52-minute documentary, produced in 2008. It was attended by the director, who spoke with the public at the end of the projection.

How To Know If Scorpio Like You

Second Day in Memory in Tepoztlan

2nd. FESTIVAL OF MEMORY: Latin American Documentary Film
in Tepoztlan, Morelos, Mexico
11 to May 18, 2008

BULLETIN May 12, 2008 Second day


Memory
Ilhuicalli Tepoztlan Auditorium

At 15 : 30 hours Tepoztlan Ilhuicalli Auditorium, in the category Identities of the Official, screened some sadness, Alexandro Ramirez. 41minutos Peruvian documentary, produced in 2006.

at 16:15 pm in the Auditorium Ilhuicalli of Tepoztlan in the Identity category of Section Officer, projected Death has no friend, Ayoze O 'Shanahan. Hispano-Cuban production of 39 minutes, produced in 2006.

At 17:00 pm in the Auditorium Ilhuicalli of Tepoztlan in the category Science and Ecology of the Official Selection, screened 13 villages in defense of land, water and air, Francesco Taboada. Mexican Production 60 minutes, produced in 2007. It was attended by the director, the photographer and producer Robinson Fernanda Atahualpa Caldera, who at the end of the projection responded to public concerns.

At 19:00 pm in the Auditorium Ilhuicalli of Tepoztlan, as part of the sample Mirador Mexico, live projects took them alive we want, Cecilia Serna. Mexican production of 120 minutes, produced in 2007. It was attended by the director, co-director Carlos Carranco and Rosario Ibarra de Piedra, founder of Eureka Committee.

Tepoztlán Public Library Mr. Aniceto Villamar

At 14:30 pm in the Library Public Mr. Aniceto Villamar Tepoztlan, as the sample size Made in Morelos, projected Guardians of time, Ricardo del Conde de la Cerda. Mexican production in 2008. It was attended by the filmmaker and Dona Jobito, the main character in this production.

At 16:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, Category Science and Ecology of the Official Selection, screened Tambogrande: Mangos, Murder, Mining, Ernesto hair. Peruvian production of 84 minutes, produced in 2007.

At 18:00 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, more memory and Default of the Official Selection, screened Mr. Chairman, and Eugenia Arraya Liliana Monti. Argentina 55-minute film, produced in 2006.

At 19:30 pm in the Public Library of Tepoztlan Mr. Aniceto Villamar, more memory and Rebellion in the Official Selection, screened My Life Inside, Lucia Gaja. Mexican movie of 122 minutes, produced in 2007. It was attended by producer Rodrigo Herranz Fanjul. Socket
Tepoztlán


At 21:00 hours at the base of Tepoztlan as part of the sample made in Morelos, projected ring of flowers in Yaasib Colmenares. Mexican documentary 15 minutes, produced in 2007. The director was present at the screening.

At 21:30 pm in the Zocalo of Tepoztlan, as Special Presentation, projected the infinite frontier of Juan Manuel Sepúlveda. Mexican 90-minute documentary, produced in 2007.

University Cultural Center in Cuernavaca, Morelos

At 16:30 pm in the University Cultural Center of Cuernavaca, Morelos, as part of the 50 th Anniversary of the New Wave of French cinema, New Wave was designed by themselves Valery and Andre Robert S. Labarthe. 52-minute French documentary, made between 1964 and 1995.

At 17:30 pm in the Cultural Center University of Cuernavaca, Morelos, as part of the 50 th Anniversary of the New Wave of French cinema, Claude Chabrol was projected, the Entomologist, Andre Labarthe. 52-minute French documentary produced in 1991. Film

Morelos in Cuernavaca, Morelos Morelos Room



At 16:00 pm in Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest DOCSDF, Crossing Arizona was designed by Joseph Mathew and Dan Devine. U.S. 95-minute documentary, produced in 2006.

At 18:00 pm in Conference Room Film Morelos Cuernavaca Morelos, as part of the Festival Guest DOCUSUR, projected the city's photographers de Sebastián Moreno. Documental chileno de 80 minutos, producido en 2006.

A las 19:30 horas en la Sala Morelos del Cine Morelos de Cuernavaca, como parte del Festival Invitado Lussas, se proyectó La vida es inmensa y llena de peligros de Denis Gheerbrant.

Documental francés de 80 minutos, producido en 1994. Chantal Steinberg, coordinadora del Festival de Lussas, Francia, presentó la muestra de ese festival.

Sala Miguel Zacarías
A las 16:30 horas en la sala Miguel Zacarías del Cine Morelos de Cuernavaca, como parte del Festival Invitado Lussas, se proyectó Retratos de Alain Cavalier. Documental francés compuesto por cuatro episodios de 13 minutos cada uno, producido entre 1986 and 1988.

At 18:45 in Room Film Miguel Zacarias Cuernavaca Morelos, as part of Guest Lussas Festival, was screened wrapping paper can not be grilled by Rithy Panh, 90-minute French documentary produced in 2006.

Letters To The Judge Regarding Community Service

2nd. FESTIVAL OF MEMORY: Latin American Documentary Film
in Tepoztlan, Morelos, Mexico
11 to May 18, 2008

BULLETIN May 11, 2008

Festival begins in Tepoztlan: The battle against forgetfulness

It celebrated the opening of the 2nd Festival of Memory: Latin American documentary film in the Auditorium Ilhuicalli Tepoztlan, projected Que Viva Mexico! Sergei Eisenstein, Grigori Alexandrov mounted, co United States and Mexico in 1932, into music live on Banda Tlayacapan, Brigido Santamaria. Municipal President Prof. Ephrem Villamil said the Festival officially opened in about 12:40.

At 15:30 pm in the Auditorium Ilhuicalli of Tepoztlan in the Memory category and Rebellion in the Official Section is projected Wayronco Tears, George Meyer, produced in Spain in 2007.

At 17:30 pm in the Auditorium Ilhuicalli of Tepoztlan, in the category Art Official Section, was presented A portrait of Diego, Diego Lopez and Gabriel Figueroa, produced in Mexico in 2007. It was attended by the director Gabriel Figueroa and Margarita Mansilla writer who responded to various concerns of the public.

At 19:30 pm in the Auditorium Ilhuicalli of Tepoztlan in the Identity category of Section Officer, presented Reinalda del Carmen, my mom and I, Lorena Giachino, produced in Chile in 2006.

Tepoztlan in the Zocalo at 20:30 hours as part of the exhibition Made in Morelos, was projected by the Monster of Mountain Hollow, Edward Nassour and Ismael Rodriguez, co-production of Mexico and the United States in 1956.

Fire Reetardnant Overalls

Festival Begins Chinelos in Technicolor, or The Return of the hollow mountain monster

seemed that the time is not passed, the wind freshened an afternoon that had been warm and in a torrential downpour as a brief, raised fears of a possible delay or the worst suspension function outdoors. From downtown Zocalo d seemed no many people, disrupted around the boxes, or sitting on a bench or in the yard, residents and visitors seemed following a routine learned: around the square. Around the popcorn con chile and cream, fried flour chips with salsa, soda, arrillo a cig, the famous tepoznieves with extravagant tastes like tequila co n José sipped coffee while his girlfriend, making a fuss he had, apparently, a thick row with Juliana.

The routine of Sunday afternoon was cut by that look askance that they passed away leaving the team to mount the show, looking worried, sweating despite the cool, tie here , make a rivet there to lay the screen, stood up and rebuked: úchale, and the lights went . The wind never stopped and time was already over, this wind and not removed said a lady who was accompanied by her friends and a gardener looked at the haste of the technicians.

Change the place was the order, and changed it, they raised the screen and do that n gala learned knots. And people came, some with chair in hand, others with a drawer, others with a block, a child only with a blanket to avoid staining the beige trousers, groups of three, four, all the order of the white rectangle built to look, some piled on the floor, lying not to cover the back, children and ntendían what was happening and kept running, passing between people, playing not to run. The looks expectantly gathered, a white rectangle called them and I said, suddenly everyone clapping in unison when the wind suddenly stopped and the film started rolling. It seems that one thing was subject to another. All the magic of the spectators, performers and organizers led the synchrony between nature and technology in order to witness jeans, Tepoztlan, monsters and slippers in Technicolor.

Esteban walked slowly placid palace, the promise was high: see The Hollow Mountain Monster, this film in 1954 film it entirely ara in Tepoztlan, and in those years he witnessed in his is Acela train at the cinema at the corner of Zaragoza and May 5. Just remember your emotions at the time, I knew I had a lot to discover himself, like the passage of time, as that hollow mountain was nothing but the Tepozteco and who knows, maybe look at some extra for a friend, a family member .

Ms. Medina said that his two aunts that film appear, there were only to pay attention, surely recognize them, some movement, a gesture, a wink that only she was not escaping, eager to share, bring it to everyone to do it all. And as she m ost other recreated his family history, the memories of their parents, grandparents, uncles.

Preparing fries in a corner of the square Dolores said that Tepoztlan those years was something else: was more beautiful, even the people were not as bold as now - said. Hey, you can not translate to us? We do not know what we are saying. However, although the film was in English, looks more than 160 spectators did not fail to see the sights of Tepoztlan today transformed by new buildings and streets, hands signal abandoned corners and avenues recognized in the projection. Bulls are just pure laps was heard to say to a lady who looked attentive as others, along with a slight smile surprise hidden in her eyes what they found in each court in each memory removed.

Lying on the grass, smoking a cigarette, just laugh, the pronunciation of Panchito out loud. A child whispers Dad, the horses then beware because there are snakes, while again acknowledging his people, Look! Is the hill near the house, said other with eyes wide open ready to detail.

The look s still gathered all the white box where now the color images showed that imposing hill known that landscape. All catering to these images as if it was ra a family film such that one does when celebrating something, and later, when reviewing it, nothing really matters more than the memory enriched by reconstruction of the past were always, the past was better.

The looming shadow lurked the old fat mustache, old, when he saw such a monster shot without hitting the monster, as expected, was devoured instantly killing all insolence, some giggling, no shock . The monster can be seen, first and weight their claws evident in the traces of mud, we see it in all its dimensions and then comes the laughter. The monsters are not now before the resources of persecution and vertigo, either, people know, people laugh, put it, the cheers. The m constructing, oblivious to the derision which is subject is chasing cows, satisfied their hunger by eating some triumphs in 1956.

Then came the best, the woman locked, with the child does not attend indications and gets into trouble, the monster above them, devours spears, had hoped to eat because of hunger and because they are the protagonists. Then the hero confronts him and ends to applause from the audience, who may not understand because he does not speak that language but the language of images is powerful and patent the satisfaction of the attendees, with smile on face and leave kind farewells the socket because you have to go home. Tomorrow is Monday and the routine begins again.

* The monster of the hollow mountain (1954), The Beast of Hollow Mountain, is a real fiction documentary made for the memory rescued people by Maria Berenice tepozteco Fregoso Valdez, who is investigating the production films made in the State of Morelos.

Editor:

José Luis Valdez / Jessica Rivera

Information :

Jessica Rivera / Jose Luis Valdez, Salvador Guzmán