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Scenes from the Festival: Reality and memory

Interior / Auditorium Ilhuicalli / 14:58

John looks rushed his watch, know that is late, your program says, sweating enters the auditorium and receives Isabel, tall girl, friendly smile and attentive voice who gives him a ticket and invited him to vote end of the film. John barely attends but it's looking, John is directed to enter, but some call in the lobby, the three screens they call and they do decide to come late, or so it seems to say, and look at the pictures hanging, there before go to Tepoztlan, including sepia, see landscapes, children, ladies, slippers, native fashion, the construction of the road to Cuernavaca Tepoztlan join with the city. Begins to lose his gaze there in the line is lost in the background, which carries the image outside the box when she hears that the function starts, a calm voice, perhaps with a different tone Argentine, Chilean or Peruvian-in this Festival is all-about something that happened in Germany, hear the word Olympics, soccer, black, cholo, stop looking to keep looking, is heading up the stairs, climb, and do not sweat, if not refreshed itself has desacalorado, when up, is again Isabel, quick downhill with a packet of papers in his hand and apparently immovable smile - again. John fumbled his seat, he does, on one side spreads her legs, straightening up, looking as it has to be so, plan to stay for three functions, perhaps four.

Exterior / Environment Library Tepoztlán Mr. Aniceto Villamar / 14:25

Jobito walks as if floating, light moves to the Library, the sun is to lead, his dark skin, wrinkled, shining in the sun, wears a black and white, floral, stops to watch the blue blanket with the program for day and week, looking for his film, where she goes out, finds it in on Monday at two media, do not know what time it is believed that a short while he starts. Upload the doorstep, watching with pleasure the letters on a black background fummy to announce that there is the movie theater, then, the library does not ignore its role in film exhibition. Jobito happens and see that there is some sitting, surrounded by books stacked on their shelves, which in turn are stacked to make room for chairs and projector. Jobito viewed on screen, just shows emotion or concern, when followed and review what he said while being interviewed, while recording, is serene, without arrogance. Jobito is Granicero, feel the energy of the beam and sometimes do not need anything else to feel good and awake, not coffee, not even food, his voice is soft but surely, we can even say that vibrates a little while explaining his concern, because those who have the gift and do not want to be Granicero, are finished and no one wants to receive that knowledge, applaud at the end, he looks as he let out a cheer and smile.

Outdoor / Public Library of Tepoztlan Mr. Aniceto Villamar / 17:40

Someone asks if you are coming Dona Rosario and maybe get a response.

Interior / Auditorium Ilhuicalli / 18:28

Martin asked for the floor,'s wearing a red shirt, jeans and sandals, warm note, look askance at his son, no more than 6 years, just to see Saul Roque denounced attacks against their communities and nature, water, earth and air, a Nahuatl ritual of gratitude because he stopped a housing development and land gains, at least for now. Martin speaks loud and clear: when we see the TV and watch movies and of war, violent scenes, I tell my son, because it has an obligation, I say is lies, which are actors, that's not true, but now, seeing these images of confrontation, when police pulled the big lady and others are being persecuted, I could not tell it was not real.

Interior / Auditorium Ilhuicalli / 21:30

Juan comes back quick, looked three films and had to go to dinner, he quickened his huitlacoche quesadillas because he said Doña Rosario Ibarra was in the auditorium Ilhuicalli , paid quick, steep your drink in one gulp and went almost running, going up the stairs there was nothing but silence, which made him think that perhaps it was all a bad joke, turned away curtain and the first thing he saw was black screen and a roller with white credits, came, everyone was still looking, without praise and without haste to escape as it was in other films, ended the roller, the screen turned white The light came on and lit up faces in shadow, was sweating, remnants of tears, sad faces, some angry or sad, broke the silence, contained euphoria led to a cascade of applause, and praised John joined something but I sensed he was not very good condition. Cecilia Serna and Carlos Lenin Carranco, stood between the cheers and clapping, Mrs. Rosario and instead waiting despite the invitation, Here's hoping that the applause was extinguished and led to the question and answer session, which was crowned with reflections of spectators involved in the story they had just witnessed, reminded everyone that no one can stay outside, that somehow and if humans are, that story has to move us ... that in Mexico there are those stories that do not go on TV, but they exist.

Exterior / Street May 5 / 22:00

Isaac and Itzel walk with their dad, their faces are moved, their eyes still see strong images. Isaac, 11, goes to his dad: Hey Dad, what things passed, as with Hitler ... Why not put it in textbooks, if this is part of the history of Mexico, why hide it by governments? Itzel ends the discussion will continue in silence until you come home, three blocks from there: Why not tell us that Dad? Salvador only managed to say what that is precisely what makes the Festival of Remembrance.

Editors: José Luis Valdez

/ Jessica Rivera

Information:
José Luis Valdez / Jessica Rivera / Berenice Fregoso / Salvador Guzman