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In memory of the revolutions that never end

documentary film The Man ...
tool for changing consciousness and
thereby changing realities. Humberto Ríos

The former convent is next to the cathedral, an architectural jewel that combines pre-Hispanic features highlighted in the pictures that adorn it blocks erected, and engineering conquerors, who built an enclosure for their beliefs. The place is cool, with high ceilings, light colors on the walls and ceiling. There are workers on scaffolding and draw some lines that seem to be drawing Hispanic tribal insignias. The corridor is long and brown tiles, there is a shelf with pictures that give hints of what was once Tepoztlan from those shelves, the corridor turns left and immediately you know you walk into one of four sides forming a courtyard. An open door leads to a rectangular room hung with pictures of the ritual water Nahuatl, the doorway lets in outside light, that clear bright lights inside the room. Upon entering the room is the chirping of birds, which seeps through another door opened, it gives another courtyard that greets visitors, this time invited by the Festival of Remembrance. The atmosphere of camaraderie prevails inside, do not know if everyone knows in advance or if their faces and talks are already familiar to often be found between headquarters and headquarters, between function and function.

Jimena sits in the back, there are occasional chair later but does not stop with the sound of their tire soles, the words of Blanca Estela Monzón, moderated the discussion with Humberto Ríos, the honoree of the Festival. Humberto's face is serious, attentive listening to the words of his host, that with that particular shade of the Argentine gives his account of a cadence, pitch, rhythm and warmth that range from the solemn to the poetic. Blanca Estela is clear and tells the audience, and Humberto, of course, with these words he prepared, the affection and admiration is the honoree.

The room is full, many have been called the first activity Academic Festival of Remembrance, attentive listening and softened the faces, the teacher Rivers, is above all consistent between the speaker and makes ... between speech and action, that is someone who betrays, an exceptional human being where there is no dichotomy between the visual subject and the social subject ... humanist by nature, an artist by choice. White said, categorically, with the audience attentive to his words, that the cinema works with an awareness of what does survive and Humberto-film-with the imaginary Latin American revolutionary. Humberto

silently records everything, it seems that revives the images of those years, as if his large, square lenses were smaller screens where the memory is planned. Look moments, places and names never lost his memory, never missing in there, in your head, always carry despite having left everything-clothes, movies, books, films, more than one occasion in the steady loss of links was his life in exile. It seemed that as many faces as they filed past the White mentioned, and everything was to happen again, the scenes of him directing, producing, talking, speaking out about injustice, to what should not and must change. And Humberto

speaking, eyes expectant, the teacher talk. White's words opened flowers and wounds, was the first to say, Jim, moved sensed the jumble of emotions that probably caused those words. No detail lost anyone, Luis, and Ivette, who followed the words and continued: I am a man who lives with the feeling that much remains to be done ... I will not change, nor do I want to change, I remain a man always , and air mixture a sense of tenderness and hope is felt as wind.

first words are exchanged and then follows the film Faena, which White has already referred to be decisive in the history of Argentine documentary, where the teacher-in the sixties, a young just-documented in a slaughterhouse, the need to kill to live, and achieves a portrait of a daily death and a disturbing analogy. The raw images hark back to the German concentration camps and are not anything but a premonition of the tragedy involuntary genocide in Argentina.

black and white image of the head of a cow lying on the ground, attached to this image the sound of the beating of a heart that is about to go, the sound echo in the ears of Louis, the eye the answer seems to observe the camera and something tells us something we are encrypting, which do not fully understand but which is now stored in memory, Humberto Ríos knows something crucial to decipher the mysteries of death huge transformation. In the fierce-and often unfair-fight of the fittest.

Editors: José Luis Valdez
/ Jessica Rivera

Information:
José Luis Valdez / Jessica Rivera / Berenice Fregoso / Salvador Guzman